File Name: The Good Girl: An addictively suspenseful and gripping thriller.pdf
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Read the bestseller everyone is talking about! "A cleverly constructed suspense thriller." —Chicago Tribune, Printer's Row "A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale." —Lisa Gardner, #1 New York Times bestselling author "Riveting psychological thriller."—Lisa Scottoline, New York Times bestselling author on Don't You Cry "I've been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don't know the color of her eyes or what they look like when she's scared. But I will." One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn't show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia's life. When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia's mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family's world to shatter. An addictively suspenseful and tautly written thriller, The Good Girl is a propulsive debut that reveals how even in the perfect family, nothing is as it seems.More Praise "Kubica's powerful debut…will encourage comparisons to Gone Girl."—Publishers Weekly, starred review "A high-intensity thriller, a psychological puzzle that will keep readers on their toes."—BookPage Read the New York Times bestselling follow-up novel Pretty Baby by Mary Kubica. Look for Mary's latest complex and addictive tale of deceit and obsession, Don't You Cry. Order your copies today!
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35 of 35 people found the following review helpful.
I hated Gone Girl
By Debbie McBee
Thankfully I ignored the comparisons. The Good Girl definitely has a vibe similar to Gone Girl. Missing girl. Multiple narratives. The difference is I hated all the Gone Girl characters. (except perhaps the sister) I hated them and waited for every one of their lies and manipulations to be punished. The ending fell sadly short. I was left with no satisfaction. No, or little, retribution.
The Good Girl is the polar opposite. I really liked the characters. Or most of them. I felt their struggles were real. Their interactions were real. The bad guys were developed enough to identify and dislike them, but the story is not about the bad guys. It's about surviving. Surviving trauma the began before and ended well after a kidnapping.
p.s. the ending is thoroughly satisfying
6 of 6 people found the following review helpful.
I liked it.
I wasn't sure if I was going to like this book all the way through because each chapter is a different character narrating about before or after the kidnapping of a young woman, Mia. It is not told in order of events, but told by three different characters at different times of what's happening before and after Mia was kidnapped. The characters telling the story are Mia's mother, the detective trying to find Mia, and the kidnapper himself. While it's easy to guess part of the ending, there was still part of it that left something to discover. It kept me interested throughout. Each character's viewpoint was helpful to the feeling of the story and made the ending that much more poignant. It's not for the reader who loves a lot of action, but it's good for those of us who enjoy a quieter book ride.
379 of 415 people found the following review helpful.
The Woman Who Came Back
By Tom S.
Her name is Mia, a 25-year-old art teacher from a well-to-do Chicago family. She's been abducted by a man she met in a bar and held captive at a remote cabin in another state. Now she's returned--but the woman who comes back is not at all like the woman who vanished...
Mary Kubica's first novel is unusually constructed: several voices, all in the present tense, jumping back ("Before") and forth ("After") in time. This may sound complicated, but it isn't. For a first novel, THE GOOD GIRL is amazingly polished and professional. All the characters spring to life as they speak, and I really began to care about them--especially the young woman at the center of the plot.
I've already seen early reviews comparing this to GONE GIRL by Gillian Flynn and STILL MISSING by Chevy Stevens, and I think it's every bit as good as both of them. If you like low-key psychological suspense stories about troubled families and the secrets they hide, you really should try this. Highly recommended.
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